Irish
1878-1931
Sir William Orpen Location
Irish painter. He attended the Metropolitan School of Art, Dublin (1891-7), and the Slade School of Art, London (1897-9), there winning the composition prize of 1899 with The Play Scene from Hamlet (Houghton Hall, Norfolk). He became a friend of Augustus John and joined the New English Art Club. From very early years he had been an impassioned student of the Old Masters, and he went to Paris with John in 1899 to see Leonardo da Vinci Mona Lisa (Paris, Louvre). In the following years his perception of their works Related Paintings of Sir William Orpen :. | Dead Germans in a Trench | The Revolutionary | The Model | Early Morning | The Official Entry of the Kaiser | Related Artists:
BaciccioItalian Baroque Era Painter, 1639-1709
Baciccia
Giovanni Battista Gaulli
Theodore Rousseau1812-1867
French
Theodore Rousseau Galleries
Rousseau's pictures are always grave in character, with an air of exquisite melancholy which is powerfully attractive to the lover of landscapes. They are well finished when they profess to be completed pictures, but Rousseau spent so long a time in working up his subjects that his absolutely completed works are comparatively few. He left many canvases with parts of the picture realized in. detail and with the remainder somewhat vague; and also a good number of sketches and water-color drawings. His pen work in monochrome on paper is rare; it is particularly searching in quality. There are a number of fine pictures by him in the Louvre, and the Wallace collection. contains one of his most important Barbizon pictures. There is also an example in the Ionides collection at the Victoria and Albert Museum.
Ernest Laurent(June 8, 1859 -- June 25, 1929) was a French painter and printmaker. He was born in Gentilly and died in Bievre.
Laurent was a neo-impressionist artist whose main influences were his instructor Ernest Hebert and his friend Georges Seurat. Laurent took second prize in the Prix de Rome in 1889 and in 1890, Laurent arrived in Rome, where Hebert remained Director of the Academie de France. From Rome, he went to Assisi where he underwent a mystical experience. It would profoundly influence his art. The work he returned to Paris from Assisi was noted for its religious themes.
Over time, profound religious devotion influenced his artistic motif and religious symbolism and scenery crept into his work. This aspect of his life ran counter to Seurat's materialism and the two parted ways.